![]() At the same time, this expansion of means and meanings of what is publishing, is creating a situation in which the very public concerned by the act of making things public, becomes overshadowed by publishing practices self-absorbed in novelty workflows and their own techno-aesthetics. The tension between the publishing heritage and novel forms of producing and sharing information has shown that old dichotomies such as analog versus digital, or local versus global, have grown increasingly irrelevant given their bond with media practices based on both old and new technologies, and their existence within mixed human and machine networks. ![]() ![]() XPUB’s interests in publishing are therefore twofold: first, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public and second, how these are, or can be, used to create publics.įrom app stores to art book fairs and zine shops, from darknets to sneakernets, from fansubs to on demand services, and from tweeting to whistleblowing, the act of making things public, that is to say publishing, has become pivotal and multi-modal in an age infused with myriad media technologies. The Experimental Publishing master course (XPUB) focuses on the acts of making things public and creating publics in the age of post-digital networks. Walkie-Talkie: XPUB Graduation Show 2022, more info
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